Grand Funk Railroad — High Falootin Mama Tab

#——————————————————————————————————PLEASE NOTE—————————————————————————————————#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#——————————————————————————————————————————————————————————————————————————————#

ARTIST: Grand Funk Railroad
SONG: High Falootin' Mama
ALBUM: Grand Funk (Red Album), 1969
FROM: Lukas Lechner, Woergl, Austria
E—MAIL: luggi69@web.de
DATE: Dec 30 2001

HIGH FALOOTIN' MAMA
>>>>>>>>>>>>>>>>>>>>>>>
writtten by Mark Farner


it's a blues scheme in C
later on in C#


for the C part:


C—type:				F—type:				G—type:
change between C and F:		change between F and Bb		change between G and C

    C     F    			    F     Bb  			     G    C

e————————————————		e———————————————		e———————————————|
B————————10——————		B———————————————		B———————————————|
G———9————10——————		G———10———11—————		G———12———13—————|
D———10———10——————		D———10———10—————		D———12———12—————|
A———10———8———————		A———10———12—————		A———12———14—————|
E———8————————————		E———————————————		E———————————————|

  NOTE: for the F— and G—type bar your index finger on the 10th (F—type) and 12th (G—type) fret

for the C# part:

C#—type:			F#—type:			G#—type:
change between C# and F#:	change between F# and Bb	change between G# and C#

    C#    F#   			    F#    B  			    G#    C#

e————————————————		e———————————————		e———————————————|
B————————11——————		B———————————————		B———————————————|
G———10———11——————		G———11———12—————		G———12———13—————|
D———11———11——————		D———11———11—————		D———12———12—————|
A———11———9———————		A———11———13—————		A———12———14—————|
E———9————————————		E———————————————		E———————————————|


Intro:   C   D#   Bb  C#  C     two times, then start off with the C—part

for the intro, use chords as following:

    C    D#    Bb
e——————————————————————————|
B——————————————————————————|
G———9————12————7————10—————|
D———10———13————8————11—————|
A———10———13————8————11—————|
E———8————11————6————9——————|

[C—type]
I can see you comin' mama, yes, you're movin' on down the line.
      [F—type]						   [C—type]
I can see you comin' mama, yes, you're movin' on down the line.
         [G—type] 			[F—type]	      [C—type]
You done have left a thousand men, and they're all back there cryin'.

[C—type]
She's a high falootin' woman, and she just can't do no wrong.
[F—type]
She's a high falootin' woman, and she just can't do no wrong.
          [G—type]		[F—type]		[C—type]
She's gonna' cry some day, and I know it can't be too long.

C   D#  F  2 times       F G#  Bb       C   D#  F      G—type   F—type

then the song goes into C#—major
(play the same with the C#, F# and G# types)

C#.....

She's got hips like a honey, and, Lord, she can make 'em move.
She's got hips like a honey, and, Lord, she can make 'em move.
And she'll do anything to make you get in her groove.

Lord have mercy on you woman, and your wicked soul.
Lord have mercy on you woman, and your wicked soul.
'Cause that high falootin' woman, gonna' live til she's a hundred years old.


in the outro there's a D after the C# and then back to C#.
end.

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For corrections, questions, comments and suggestions    |
e—mail me at luggi69@web.de			        |
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"Won't you tell me, where have all the good times gone?"|
		—Ray Davies, 1965			|
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"...enjoy a time when rock was still about making music |
for fun, not money for corporations."			|
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